It seems pretty easy to move you to FCP7 projects into Premiere Pro. Almost too easy… Open windows software on mac.
The all-in-one tool to move a Final Cut Pro X Event or Project to: Premiere Pro, After Effects, Audition, and beyond! XtoCC (also called Project X₂7) translates Final Cut Pro X Library XML (fcpxml) and converts it for import into Adobe's Creative Cloud apps - Premiere Pro, Audition & After Effects - or other compatible applications. (If you need translation the other way — from. Tip 6: How to Import Projects from Final Cut Pro or Avid. Adobe Premiere Pro directly imports FCP 7 (and prior) XML files, and it imports AAF files from Avid Media Composer. Obviously, not everything is going to translate. But the big items—clips and sequences—will. There are a few potential landmines; we'll consider those issues by format. In the Libraries sidebar in Final Cut Pro, select the event containing the project you want to open. Locate the project you want to open and double-click it. Note: You may have to scroll up to the top of the event to see the project. Convert your Final Cut Pro timeline to a Motion project. Translate entire projects and compound clips in seconds. Xsend Motion is your missing link between Final Cut Pro and Motion. Use it for translating entire projects and compound clips in seconds. To download a trial version, click on learn more. The XML file will default to the project name in FCP 7. Open Premiere Pro. FileImportfind the XML file and click Import. You will see a window for the translation report. Page down macbook pro. This report tells you how Premiere deals with any effects, titles or transitions that did no t translate. For instance, if my fonts didn’t translate, the report will tell.
This process works best with projects in the beginning stages of editing. The more effects, titles, and transitions you have in place, the more room there is for error when making the move. Here ares some step by step instructions.
- Make a back-up of your FCP 7 project and corresponding files on an external hard drive. If you have to re-link anything, make sure you have a copy of those files with you.
- In FCP7, open the project.
- If you want all bins and sequences transferred, make sure you on’t have anything selected, otherwise it will only make an XML
of the sequence you have selected. - File>Export>XML
- A dialogue box will appear letting you know the source being exported. Make sure to
keep the format at Apple XML Interchange Format Version 5 and make sure the “save project with latest clip metadata (recommended) is checked. Click OK. - The XML file will default to the project name in FCP 7.
- Open Premiere Pro.
- File>Import>find the XML file and click Import.
- You will see a window for the translation report. This report tells you how Premiere deals with any effects, titles or transitions that did not translate. For instance, if my fonts didn’t translate, the report will tell me what font it used to replace it. Or if my cross dissolve did not translate, Premiere replaced it with a dissolve. Click OK.
- In the project panel, you will see a bin with the name of your project. The bin includes
the clips, the sequences and the translation results file. To see what did not transfer, open the translation results file. - Open the sequence and scrub through to make sure everything is working!
![Pro Pro](https://videoconverter.wondershare.com/images/en/convert/fcpx-to-premiere-3.jpg)
And there you have it folks. Premiere makes it fairly easy to make a smooth transition from FCP7.
Home > Articles > Digital Audio, Video > Adobe Premiere Pro
␡- Tip 6: How to Import Projects from Final Cut Pro or Avid
< BackPage 6 of 7Next >
Like this article? We recommend Editor's Guide to Adobe Premiere Pro, An, 2nd Edition
Like this article? We recommend
Like this article? We recommend
Editor's Guide to Adobe Premiere Pro, An, 2nd Edition
Tip 6: How to Import Projects from Final Cut Pro or Avid
Apple os 10 5 8. Adobe Premiere Pro directly imports FCP 7 (and prior) XML files, and it imports AAF files from Avid Media Composer. Obviously, not everything is going to translate. But the big items—clips and sequences—will. There are a few potential landmines; we'll consider those issues by format.
Importing from Final Cut Pro
An entire project can come across from Final Cut Pro. It'll be pretty obvious what does and doesn't come across. For example, text and motion projects don't come across, as they're synthetic items inside of FCP. You'll get a report after performing the import.
What can trip you up? Any footage that logs and transfers rewrapped but didn't transcode (such as P2 or XDCAM.) Why? Because Final Cut took the original media, which is a Material Exchange Format (MXF) file, and rewrapped it into a QuickTime file. When you buy FCP, you get those codecs for QuickTime. If you take this to a system without those codecs (either no ProApps or on a Windows machine), you're out of luck. You'll need to find a third-party substitution from a company like Calibrated Software that can sell you a license.
Importing from Avid
Premiere Pro Cut Clip
Avid transfers are a bit more basic—they bring over only the sequence. Again, it'll be obvious what does and doesn't come across in the report.
Media is trickier. If you worked via Avid Media Access (AMA) with linked files, everything should link up.
Captured/imported media is more hit-and-miss. MXF files can link, but if the media is in the Avid DNxHD codec, those MXF files won't come across, because Avid doesn't provide a way to read/write DNxHD MXF files by third parties for free. The QuickTime component for DNxHD is free, but it doesn't help us here.
Open Final Cut Pro Project In Premiere Pro
If you need to move something with DNxHD media, I suggest transcoding it in Avid to a different codec, such as DVCPro HD or AVCHD. Again, Calibrated Software has a component that may help with MXF media in this codec.